WOMEN IN HORROR MONTH
Women have always been at the forefront of the horror genre, from the earliest days of Gothic horror and writers like Ann Radcliffe and Mary Shelley to the great Victorian-era ghost story writers like Mary Elizabeth Braddon, Charlotte Riddell and Elizabeth Gaskell and on into the 20th century with such names as Shirley Jackson, Daphne Du Maurier and Anne Rice, among so many others. Here at Valancourt, we've long been committed to republishing the best neglected works by women horror writers, a few of which we're spotlighting here in honor of Women in Horror Month.
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The Beginning - Gothic Horror (1790s - 1830s)
Though Horace Walpole may get the credit for starting the Gothic genre, it was quickly dominated by terrific women writers. Early pioneers included Clara Reeve, with her The Old English Baron (1777) and Ann Radcliffe, whose runaway bestseller The Mysteries of Udolpho (1794) has seldom if ever been out of print. But some of the best and most popular Gothic novels of the day were by women whose names are almost forgotten today (but who deserve rediscovery!) like Regina Maria Roche and Eliza Parsons, both of whom wrote some of the 'horrid novels' mentioned in Jane Austen's Northanger Abbey.
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Victorian Classics (1840s - 1890s)
When we think of Victorian horror, books like Dracula, Strange Case of Dr Jekyll and Mr Hyde, and The Portrait of Dorian Gray might come to mind, but in fact some of the most interesting (and often craziest) Victorian horror fiction was by women. Florence Marryat, a firm believer in Spiritualism and the supernatural, wrote fascinating occult fiction like The Blood of the Vampire (1897), while the most popular author of the day, Marie Corelli, featured horror themes in her million-copy bestsellers, books like The Sorrows of Satan (1895), in which Satan returns to modern-day London, and Ziska (1897), which features a reincarnated Egyptian princess. Another fascinating rediscovery is Olivia Shakespear's Beauty's Hour, which reads like a feminist Dorian Gray.
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1930s Thrills and Chills
Everyone knows the Queen of Mystery, Agatha Christie, who wrote some of her best books in the 1930s, but it was a busy time for many other women writers of crime, thrillers, and horror, several of whom Valancourt has reprinted. Ethel Lina White (two of whose books were adapted for famous films) delivers a chilling mystery with horror overtones, set in a wax museum, in Wax (1935), while R. C. Ashby's He Arrived at Dusk (1933) also presents a ghostly scenario, and Elizabeth Jenkins finds inspiration for her horrors in real life in Harriet (1934), based on a chilling Victorian murder case.
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Paperbacks from Hell
If names like Stephen King, Dean Koontz and Peter Straub topped the '80s horror bestseller charts, some of the most interesting and most enduring work of the paperback horror boom was produced by women. Elizabeth Engstrom's rediscovered classics When Darkness Loves Us and Black Ambrosia are masterful examples of the genre, while Lisa Tuttle's collection A Nest of Nightmares proves she is one of the best horror story writers of modern times, and Bari Wood's bestsellers, like The Tribe (1981), remain fast-paced thrilling reads that will keep readers on the edge of their seats.
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Valancourt Best Sellers
Two other classics we didn't want to forget are Joan Samson's chilling study of evil in a small New England town, The Auctioneer (1975) and Hilda Lewis's The Witch and the Priest (1956), a meticulously researched and gripping novel based on a real-life English witchcraft case.
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Available in February
Schabraco and other Gothic tales from
The Lady's Monthly Museum, 1798-1828
Edited by Jennie MacDonald
Though the Gothic novels of Ann Radcliffe, Matthew Lewis, and their contemporaries have attracted considerable interest among readers and scholars in recent years, the vast output of Gothic fiction that appeared in popular magazines like The Lady’s Monthly Museum has been almost entirely ignored, probably because of lack of access to these rare texts. Now for the first time, editor Dr. Jennie MacDonald has collected the best Gothic texts from this important periodical, including novelettes, stories, fragments, poems and drama, enabling readers to discover at last a wealth of lost Gothic material. Also included are a scholarly introduction and annotations, as well as reproductions of engravings that accompanied the original publication of these tales.
The Lady's Monthly Museum, 1798-1828
Edited by Jennie MacDonald
Though the Gothic novels of Ann Radcliffe, Matthew Lewis, and their contemporaries have attracted considerable interest among readers and scholars in recent years, the vast output of Gothic fiction that appeared in popular magazines like The Lady’s Monthly Museum has been almost entirely ignored, probably because of lack of access to these rare texts. Now for the first time, editor Dr. Jennie MacDonald has collected the best Gothic texts from this important periodical, including novelettes, stories, fragments, poems and drama, enabling readers to discover at last a wealth of lost Gothic material. Also included are a scholarly introduction and annotations, as well as reproductions of engravings that accompanied the original publication of these tales.