
The One-Pound Note (1820)
Francis Lathom, Edited by Max Fincher
"With the publication of The One-Pound Note, and Other Tales (1820) by Francis Lathom, Valancourt Books continues its valiant mission to make available to both scholars and laypeople alike some once popular but now little known literary classics. Students of the Gothic and Scottish literature will be particularly intrigued by this collection of three stories that grants a fuller picture of Lathom's literary development and the influence of Sir Walter Scott and the vogue for what became known as the 'Scotch novel' on his work. This collection evidences a Lathom more confident in his literary enterprise after a decade-long hiatus from writing, a Lathom whose greater abilities may actually have lain in a domain outside of Gothic fiction." - Prof. Carol Margaret Davison, University of Windsor
Between 1795 and 1809, Francis Lathom (1774-1832) established himself as one of the most popular and prolific novelists of his day with Gothic novels such as The Midnight Bell (1798) and The Mysterious Freebooter (1806) before disappearing without a trace. In 1820, Lathom made his triumphant return to the literary scene with this collection of three tales.
In the title story, things seem to be looking up for young William McTavish after he wins a fortune in the lottery. But much to his horror, he arrives home to find his father on the scaffold to be hanged for having forged a one pound note! In the nick of time, a handsome stranger rescues William's father, and the two youths go on the run from the law, forging a passionate friendship that will end in tragedy. In the words of critic Montague Summers, "although most discreetly treated, the love between [the two youths] is clearly" queer in nature. The second story, "The Wife, the Mistress, and the Friend" is a tale of domestic intrigue concerning the suspicious doings of Amelia Woodville's husband, and the final tale, "The Prophecy," is a supernatural-tinged novella of skulduggery and adventure in 17th century Scotland.
This edition, the first since 1820, features a new introduction and notes by Max Fincher, the text of contemporary reviews, and a facsimile of the original title page.
Francis Lathom, Edited by Max Fincher
"With the publication of The One-Pound Note, and Other Tales (1820) by Francis Lathom, Valancourt Books continues its valiant mission to make available to both scholars and laypeople alike some once popular but now little known literary classics. Students of the Gothic and Scottish literature will be particularly intrigued by this collection of three stories that grants a fuller picture of Lathom's literary development and the influence of Sir Walter Scott and the vogue for what became known as the 'Scotch novel' on his work. This collection evidences a Lathom more confident in his literary enterprise after a decade-long hiatus from writing, a Lathom whose greater abilities may actually have lain in a domain outside of Gothic fiction." - Prof. Carol Margaret Davison, University of Windsor
Between 1795 and 1809, Francis Lathom (1774-1832) established himself as one of the most popular and prolific novelists of his day with Gothic novels such as The Midnight Bell (1798) and The Mysterious Freebooter (1806) before disappearing without a trace. In 1820, Lathom made his triumphant return to the literary scene with this collection of three tales.
In the title story, things seem to be looking up for young William McTavish after he wins a fortune in the lottery. But much to his horror, he arrives home to find his father on the scaffold to be hanged for having forged a one pound note! In the nick of time, a handsome stranger rescues William's father, and the two youths go on the run from the law, forging a passionate friendship that will end in tragedy. In the words of critic Montague Summers, "although most discreetly treated, the love between [the two youths] is clearly" queer in nature. The second story, "The Wife, the Mistress, and the Friend" is a tale of domestic intrigue concerning the suspicious doings of Amelia Woodville's husband, and the final tale, "The Prophecy," is a supernatural-tinged novella of skulduggery and adventure in 17th century Scotland.
This edition, the first since 1820, features a new introduction and notes by Max Fincher, the text of contemporary reviews, and a facsimile of the original title page.
BOOK DETAILS
Trade paper ISBN-13: 978-1934555415 List Price: $17.99 U.S. Pages: 242 Published: 2013 |
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AUTHOR BIOGRAPHY
Francis Lathom (1774-1832) was born in July 1774 at Rotterdam to Henry and Sarah Lathom. Henry Lathom was a Norwich merchant engaged in business with the East India Company in Holland. Around 1777, the family returned to the vicinity of Norwich, and in the 1790s Lathom began to pen plays for the Theatre Royal Norwich, including the comedies All in a Bustle (1795) and The Dash of the Day (1800), the latter of which was acted to “universal applause” and ran into at least four editions. In 1795, Lathom published his first novel, The Castle of Ollada, a Gothic romance indebted to Ann Radcliffe’s The Mysteries of Udolpho (1794) and Walpole’s The Castle of Otranto (1764).
In 1797, Lathom married Diana Ganning, daughter of Daniel Ganning, a wealthy lawyer and landowner, with whom he had three children, Henry Daniel (b. 1799), Frederick (b. 1800), and Jessy Ann (b. 1803). The following year, he published what became his most famous novel, The Midnight Bell (1798), which was mentioned in Jane Austen’s Northanger Abbey (1818) and which was the only of Lathom’s novels reprinted in the 20th century. He followed this success with the satire Men and Manners (1799), described by critic Montague Summers as Lathom’s masterpiece and worthy of a young Dickens, and Mystery (1800), a curious mixture of the Gothic with epistolary domestic romance.
Around 1802 or 1803, under circumstances not yet known, Lathom left Norwich, perhaps for Scotland. Lathom’s father’s will provided him an annuity of £200 per year, provided that he relinquish custody of his children to Diana and have nothing more to do with them. Summers posited that Lathom’s removal from Norwich may have stemmed from a gay love affair, which, while not substantiated, may nonetheless be true.
Between 1802 and 1809, Lathom was extremely prolific, publishing the novels Astonishment!!! (1802), The Impenetrable Secret, Find it Out! (1805), The Mysterious Freebooter (1806), Human Beings (1807), The Fatal Vow (1807), The Unknown (1808), London, or, Truth Without Treason (1809), and The Romance of the Hebrides, or, Wonders Never Cease (1809). After 1809, he disappeared from the publishing scene and apparently travelled to America, where he visited New York and lived for a time in Philadelphia.
In 1820, Lathom returned to publishing, releasing Italian Mysteries and the collection The One-Pound Note and Other Tales. He continued to write throughout the remainder of the decade; these later works include Live and Learn (1823), in which the friendship between the two male characters was felt by Summers to be “clearly” queer in nature, as well as two additional collections of short stories and the novels Young John Bull (1828) and Mystic Events (1830). Lathom is said to have died in Fyvie, Aberdeenshire, Scotland in 1832.
In 1797, Lathom married Diana Ganning, daughter of Daniel Ganning, a wealthy lawyer and landowner, with whom he had three children, Henry Daniel (b. 1799), Frederick (b. 1800), and Jessy Ann (b. 1803). The following year, he published what became his most famous novel, The Midnight Bell (1798), which was mentioned in Jane Austen’s Northanger Abbey (1818) and which was the only of Lathom’s novels reprinted in the 20th century. He followed this success with the satire Men and Manners (1799), described by critic Montague Summers as Lathom’s masterpiece and worthy of a young Dickens, and Mystery (1800), a curious mixture of the Gothic with epistolary domestic romance.
Around 1802 or 1803, under circumstances not yet known, Lathom left Norwich, perhaps for Scotland. Lathom’s father’s will provided him an annuity of £200 per year, provided that he relinquish custody of his children to Diana and have nothing more to do with them. Summers posited that Lathom’s removal from Norwich may have stemmed from a gay love affair, which, while not substantiated, may nonetheless be true.
Between 1802 and 1809, Lathom was extremely prolific, publishing the novels Astonishment!!! (1802), The Impenetrable Secret, Find it Out! (1805), The Mysterious Freebooter (1806), Human Beings (1807), The Fatal Vow (1807), The Unknown (1808), London, or, Truth Without Treason (1809), and The Romance of the Hebrides, or, Wonders Never Cease (1809). After 1809, he disappeared from the publishing scene and apparently travelled to America, where he visited New York and lived for a time in Philadelphia.
In 1820, Lathom returned to publishing, releasing Italian Mysteries and the collection The One-Pound Note and Other Tales. He continued to write throughout the remainder of the decade; these later works include Live and Learn (1823), in which the friendship between the two male characters was felt by Summers to be “clearly” queer in nature, as well as two additional collections of short stories and the novels Young John Bull (1828) and Mystic Events (1830). Lathom is said to have died in Fyvie, Aberdeenshire, Scotland in 1832.