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The Heroine (1813)
Eaton Stannard Barrett
Edited by Avril Horner and Sue Zlosnik
Young Cherry Wilkinson, the daughter of a farmer, has read one too many Gothic novels. Renaming herself Cherubina, she deserts her home and sets off on a mad romp across England, determined to recover her lost domains and unravel her true parentage. But after a series of madcap and hilarious adventures, she comes to find that modern-day English law and society do not always permit a young lady to behave like a character out of a romantic tale. And when a handsome but dissolute young actor learns of Cherry's father's wealth and her mania for Gothic novels and styles himself Lord Montmorenci in an attempt to deceive her into a marriage, Cherubina will need all of her heroine's wit to defeat the nefarious plot!
Klosterheim (1832)
Thomas De Quincey
The year is 1633. Tensions are running high in the small German city of Klosterheim. The Thirty Years' War rages on, as the Emperor contends with invading Swedish forces, and, closer to home, the marauding robber chieftain Holkerstein and his armies threaten to destroy the town and kill every man, woman, and child in Klosterheim.
But not all the townspeople's anxieties originate from without: within the city, too, there is danger at every turn, as the usurper prince tightens his grip on the town and targets those, like the brave Count St Aldenheim, the virtuous Maximilian, and the lovely Paulina, who pose a threat to his reign. And when a mysterious, disguised figure known only as The Masque appears on the scene, apparently murdering and kidnapping Klosterheim's residents with impunity, terror runs rampant. Who can he be, and who is his next victim? The evil prince is determined to find out, and he devises an elaborate trap in the form of a masked ball, but little does he realize that The Masque is always one step ahead of him, plotting a deadly and inscrutable vengeance!
The Fatal Vow; or, St. Michael's Monastery (1807)
Francis Lathom
Edited by Max Fincher
After a falling-out with his father, Reginald de Brune travels to St. Michael's Monastery for a short stay. There, one night at midnight, he observes a beautiful young woman, Christabelle, swearing a mysterious vow at the altar. The two quickly fall in love, but Christabelle's father has other plans, deciding to immure her in a convent, where she is terrorized by a cruel abbess. But there is more to both Reginald and Christabelle than meets the eye, and quickly the two find themselves caught up in the intrigues of Henry II, his queen, Eleanor of Aquitaine, and their two warring sons, Princes Richard and John. Can the two lovers unravel the mysteries that surround their origins and survive the plots of their enemies?
The Fatal Vow; or, St. Michael's Monastery (1807) is an inventive mix of an early historical novel with aspects of Gothic terror that remains thrilling even two centuries after its first publication. This edition reprints the unabridged text of the very rare first edition, of which fewer than five copies are known to survive worldwide. Also featured are a new introduction and notes by Gothic scholar Max Fincher.
Tom Barber (1931-1944)
Forrest Reid
Edited by Michael Matthew Kaylor
Forrest Reid (1875-1947), the Ulster novelist, spent his life in Belfast, in the north of Ireland, save for a period as an undergraduate at Christ's College, Cambridge, where he received a B.A. in 1908. He numbered among his many friends and acquaintances George William Russell (A. E.), E. M. Forster, Edmund Gosse, C. S. Lewis, and Walter de le Mare, as well as various Uranians such as Theo Bartholomew, Osbert Burdett, and Mark André Raffalovich.
Despite his sixteen novels, his two autobiographies, and a range of other works, despite being a founding member of the Irish Academy of Letters and an honorary Doctor of Letters of Queen's University in Belfast, despite his novel Young Tom being awarded the James Tait Black Memorial Prize, Forrest Reid closely borders both oblivion and canonicity. However, this author, who has been aptly dubbed the "Arch-Priest of a Minor Cult," deserves reconsideration and perhaps a place in the pantheon of English letters.
The Tom Barber Trilogy - composed of the very distinct novels Uncle Stephen (1931), The Retreat; or, The Machinations of Henry (1936), and Young Tom; or, Very Mixed Company (1944) - is Forrest Reid's magnum opus. The present scholarly edition presents those three novels as clean texts (in Volume I), followed by a study of Forrest Reid and explanatory notes for the trilogy (in Volume II).
A Life Marketed as Fiction
An Analysis of the Works of Eliza Parsons
Karen Morton
In this book, the first full-length study of Parsons' works, Morton uncovers never before revealed biographical information about this elusive author and corrects the errors of previous scholars before turning to an in-depth analysis of Parsons' works. Included are chapters on her Gothic novels and her novels of contemporary manners, but Morton delves deeper and also looks for insight into the little-known Parsons by examining her prefaces, dedications, and the letters in which she solicited money. What emerges is a portrait of a fascinating, talented, and important neglected woman writer - an author who merits recognition as more than just a minor Gothic novelist.
Tom Barber, Vol. II: A Study of Forrest Reid & Explanatory Notes
Michael Matthew Kaylor
Forrest Reid (1875-1947), the Ulster novelist, spent his life in Belfast, in the north of Ireland, save for a period as an undergraduate at Christ's College, Cambridge, where he received a B.A. in 1908. He numbered among his many friends and acquaintances George William Russell (A. E.), E. M. Forster, Edmund Gosse, C. S. Lewis, and Walter de le Mare, as well as various Uranians such as Theo Bartholomew, Osbert Burdett, and Mark André Raffalovich.
The Tom Barber Trilogy - composed of the very distinct novels Uncle Stephen (1931), The Retreat; or, The Machinations of Henry (1936), and Young Tom; or, Very Mixed Company (1944) - is Forrest Reid's magnum opus. The present scholarly edition presents those three novels as clean texts (in Volume I), followed by a study of Forrest Reid and explanatory notes for the trilogy (in Volume II).
Between the Dark and the Daylight (1902)
Richard Marsh
"Humorous and highly amusing." - The Scotsman
"A really entertaining collection of stories. The lover of fiction could not desire a more entertaining volume." - Yorkshire Post
In "My Aunt's Excursion," the opening story of the volume, an urbanite Londoner leads his provincial aunt and her party of mostly deranged followers on a hilarious and madcap romp across London. In "Exchange is Robbery," Marsh's recurring charcters and jewellers to the aristocracy, Messrs. Golden and Ruby, discover they have been the victims of a massive jewel fraud. "The Haunted Chair," one of Marsh's strangest and most unnerving stories of horror, features an old chair at a gentlemen's club, whose owner seems capable of returning from the grave. In "A Relic of the Borgias," an ancient cameo ring appears to possess the power to kill. Other stories, like "Em" and "Nelly," reveal Marsh's softer side as a romantic novelist.
This new edition, the first in over a century, features the unabridged text of the original work, along with an introduction by Prof. Paul Fox and a reproduction of the impossibly rare jacket cover of the original six shilling edition.
